Fresh from last week’s discussion of Mickey Mouse, Chris and Alex are once again joined by Dr David McGowan (Lecturer in the Contextual and Theoretical Studies of Animation at the University of the Arts London) to map the mythology of the Golden Age of Animation, and in particular how this phase of the medium’s history has been framed in relation to the cartoon’s move from silent to sound technology but also its emergent stability and security as an industrial art form.
Read MoreChris and Alex take a look at animation’s historical and troubling relationship to race with this examination of the Censored Eleven, a collection of controversial Looney Tunes and Merrie Melodies cartoons produced during the 1930s and 1940s removed from syndication since 1968 for their inclusion of harmful and offensive racist stereotypes.
Read MoreIn this latest Fantasy/Animation Footnote, Chris and Alex wonder about wonder - a term that emphatically traverses both fantasy and animation as fields of study, yet with alternate meanings and connotations related to everything from mid-1990s cultures of special effects appreciation to fantasy’s historical links to the so-called “wonder film.”
Read MoreThe Fantasy/Animation Footnotes continue with this look at Disney authorship and the industry of animation via a turn to the celebrated Nine Old Men, a core group of directors and artists involved with the consolidated of the Disney aesthetic and a key component of its hyper-realist visual style.
Read MoreChris and Alex once again draw on the expertise of Dr Peter Kunze (Tulane University) for this discussion of the form and function of the period critically and culturally known as the Disney Renaissance.
Read MoreA deep dive into the U.S. animation studio Hanna-Barbera provides the focus of Footnote #44, as Chris and Alex are once again joined by Dr Jared Bahir Browsh to discuss the origins of William Hanna and Joseph Barbera’s influential and prolific production company that strengthened the cartoon’s move from theatrical exhibition to television.
Read MoreFootnote #38 tackles the recurrent motif of the storybook that so often begins Disney’s animated features, but which also takes other forms and styles as part of the studio’s sustained dramatisation of storytelling.
Read MoreChris and Alex are joined once more by Mark Bould, Professor of Film and Literature at the University of West England, for this Footnote episode that explores the origins and definitions of science-fiction storytelling.
Read MoreThe economy of the Hollywood franchise is the focus of Footnote #30, where Chris and Alex examine the multimedia conglomeration of the U.S. cinema industry in the blockbuster era of the 1970s, and the subsequent impact on the post-2000 phase of Hollywood film production and its intensified franchise mentality.
Read MoreDrawing on the seminal work of scholar Henry Jenkins, this latest Footnote episode engages the question of transmedia storytelling, industrial organisation, cultures of appreciation, and the consumption of media in an era of convergence. Alex takes the lead in discussing how contemporary entertainment experiences involve the dispersal of content across interacting, co-ordinated, and co-dependent media platforms.
Read MoreWhat makes a Christmas film, and why are fantasy and animated films so popular during this festive period? How is cinema consumed and ‘used’ at Christmas by both the popular film industry and families as a source of comfort? How is Christmas is narratively and thematically presented in our favourite festive-themed films?
Read MoreThe first Fantasy/Animation Footnote Episode proper launches with this short discussion on the origins and genealogies of animation, from cave paintings and Victorian children’s toys to the lightning sketch tradition and the comic books.
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