COMPUTER ANIMATION — all episodes

Episode 166 - Kung Fu Panda (John Stevenson & Mark Osborne, 2008) (with John Yorke)

Episode 166 of the Fantasy/Animation podcast high kicks its way into the world of DreamWorks’ successful Kung Fu Panda franchise (2008-) with this look at the series’ first big-screen instalment, Kung Fu Panda (John Stevenson & Mark Osborne, 2008), with very special guest John Yorke. John is a television producer, screenwriter, editor, and author, who was Head of Channel 4 Drama (2003–2005), controller of BBC drama production (2006–2012) where he founded the BBC Writers Academy, and more recently managing director of Company Pictures (2013–2015). He is now teaching screenwriting via his own company, John Yorke Story, and is the author of Into the Woods: How Stories Work and Why We Tell Them (Penguin, 2014) and Trip to the Moon: Understanding the True Power of Story (Penguin, 2026).

PODCASTChristopher Holliday and Alexander SergeantJanuary 26, 2026STARDOM, HOLLYWOOD, PERFORMANCE, COMPUTER ANIMATION, RACE, IDENTITY, MUSICALComment

Episode 165 - Wicked: For Good (Jon M. Chu, 2025)

Just as it did to kick off 2025, the Fantasy/Animation podcast returns once again following the festive break to celebrate the New Year with another visit to Oz, with Chris and Alex reflecting on movie musical Wicked: For Good (John M. Chu, 2025) that as with the first instalment released in 2024 discussed a year ago adapts Stephen Schwartz’s successful 2003 theatre production.

PODCASTChristopher Holliday and Alexander SergeantJanuary 12, 2026STARDOM, HOLLYWOOD, PERFORMANCE, COMPUTER ANIMATION, RACE, IDENTITY, MUSICALComment

Episode 164 - The Polar Express (Robert Zemeckis, 2004)

The Fantasy/Animation Christmas special pulls into the proverbial station with this look at The Polar Express (Robert Zemeckis, 2004), a computer-animated adaptation of the 1985 children’s book by Chris Van Allsburg and a film noted for its pioneering - if at times highly uncanny - application of motion capture technology as it portrays the magic of Christmas Eve through a young boy as he journeys to the North Pole.

Archive Episode - Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey & Rodney Rothman, 2018) (with Simran Hans)

For the final archive episode of 2025, Chris and Alex once again swing their way back into the superhero world of Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey & Rodney Rothman, 2018), revisiting their discussion of Sony Pictures Animation’s computer-animated film that featured special guest Simran Hans, film critic and culture writer whose work has appeared in The Observer, The Guardian, Buzzfeed, Dazed, The Fader and Sight & Sound.

Episode 109 - Willow (Ron Howard, 1988)

Alex fulfils something of a lifelong dream in Episode 109 in that he finally gets a chance to talk about the mythology and magic of Willow (Ron Howard, 1988) for the Fantasy/Animation podcast, albeit with Chris alongside him as relative novice to its world of prophecies, sorcery, and high fantasy storytelling.

Episode 84 - Shrek 2 (Andrew Adamson, Kelly Asbury & Conrad Vernon, 2004) (with Sam Summers)

Episode 84 takes a trip for the first time to the computer-animated efforts of the DreamWorks Animation studio, often viewed as Disney and Pixar’s commercial rival but whose features frequently offer a biting satirical revision of the narrative and stylistic formulae of these renowned animation heavyweights. For this latest episode on Shrek 2 (Andrew Adamson, Kelly Asbury & Conrad Vernon, 2004), Chris and Alex’s special guest is Dr Sam Summers, Associate Lecturer at Middlesex University and author of the recent DreamWorks Animation: Intertextuality and Aesthetics in Shrek and Beyond (London: Palgrave Macmillan, 2020). Sam is also the co-editor of a collection Toy Story: How Pixar Reinvented the Animated Feature (London: Bloomsbury, 2018) and - alongside journalist Ben Travis - co-host of the Disniversity podcast that offers a crash course through the history of Disney's animated classics.

Episode 78 - Treasure Planet (Ron Clements & John Musker, 2002) (with Ron Clements and John Musker)

The 2002 Disney science-fiction epic Treasure Planet (Ron Clements & John Musker, 2002) is the focus of Episode 78 of the podcast, which looks at the melding together of the Disney formula with space fantasy in this swashbuckling adaptation of Robert Louis Stevenson’s 1883 adventure novel Treasure Island. Joining Chris and Alex for this bumper episode are two very special guests: Ron Clements and John Musker, who aside from writing and directorial duties on Treasure Planet are known as a filmmaking duo absolutely central to the renaissance of Disney animation in the 1980s and 1990s.

Episode 60 - Christopher Robin (Marc Forster, 2018)

Heffalumps and Woozles take centre stage for Episode 60 of the podcast, as Chris and Alex take a trip deep into Hundred Acre Wood to confront Christopher Robin (Marc Forster, 2018) (not to be confused with the earlier A.A. Milne biography Goodbye Christopher Robin [Simon Curtis, 2017]…), and its pleasures of nostalgia.

Episode 27 - Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey & Rodney Rothman, 2018) (with Simran Hans)

Episode 27 has Chris and Alex swinging their way into a superhero-filled multiverse to discuss the narrative strategies and visual dynamism of Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey and Rodney Rothman, 2018), the highly-successful computer-animated feature film from Sony Pictures Animation. Caught in the fantasy/animation web for this latest instalment is Simran Hans, film critic and culture writer whose work has appeared in The Observer, The Guardian, Buzzfeed, Dazed, The Fader and Sight & Sound.

Episode 15 - Tron (Steven Lisberger, 1982)

In episode 15, Chris and Alex log on to Tron (Steven Lisberger, 1982), a watershed moment in the history of computer animation and one that taps into the early electronic spectacle of digital visual effects within a Hollywood context. Representing the wonder of - if not the cultural anxieties surrounding - the newness of computers and virtual reality (as well as the growing popularity of videogames), the film reframes cyberspace as a complex three-dimensional fantasy world.