Episode 56 - Bright (David Ayer, 2017)
Bright (David Ayer, 2017).
The Fantasy/Animation podcast takes listeners on a journey through the intersection between fantasy cinema and the medium of animation. Available via Apple Podcasts, Spotify and many of your favourite podcast hosting platforms!
The latest Listeners’ Choice episode sees Chris and Alex turn to Netflix and the much-maligned yet curiously provocative feature film Bright (David Ayer, 2017), whose narrative of racism, police corruption and latent magical forces is set against the backdrop of an alternate fantasy vision of contemporary Los Angeles. With a budget of $90 million, Ayer’s social discourse via fantasy (the script was written by Max Landis) was critically-derided despite being Netflix’s most downloaded feature within its first week of release. There is certainly much to say about Bright’s heavy use of metaphor that points a number of fingers at systemic violence and racial hegemony through themes of respect, tolerance and acceptance. Listen as the discussion in Episode 56 takes in Bright’s evocation of Hollywood buddy movie story structures and the popular police procedural; categories of the fantastic, the allegoric and the parodic, and how allegory functions as a deconstructive impulse against fantasy’s pursuit of reconstruction; the depiction of Elftown and the film’s portrayal of whiteness; Orc clan politics, Will Smith’s racial coding and the role of the Other; and how Bright offers a complicated - and, at times, highly uneven - possible world that presents its modern urban fantasy setting as a social class commentary.
Suggested Readings
Walter Benjamin, The Origin of German Tragic Drama (trans. Josh Osborne, New York: Verso, 1990 [1925/1928]).
Suzanne Buchan, ed. with David Surman and Paul Ward (associate eds), Animated Worlds (Eastleigh: John Libbey, 2006).
Richard Dyer, “White,” Screen 29, no. 4 (1988): 44–65.
V. F. Perkins, “Where is the world? The horizon of events in movie fiction,” in Style and Meaning: Studies in the Detailed Analysis of Film, eds. John Gibbs and Douglas Pye (Manchester: Manchester University Press, 2005), 16-41.
Ruth Ronen, Possible Worlds in Literary Theory (Cambridge: Cambridge University Press, 1994).
Alexander Sergeant, “Making Fantasy Matter: ‘The Lord of the Rings’ and the Legitimisation of Fantasy Cinema,” in Lorna Piatti-Furnell, ed. Fan Phenomena: The Lord of the Rings (Bristol: Intellect, 2017), 10-17.
Kendall Walton, “Fictional Worlds,” in Mimesis as Make-believe: On the Foundations of the Representational Arts (Cambridge, Massachusetts: Harvard University Press, 1990): 57-67.