Episode 121 - Monster House (Gil Kenan, 2006) (with Jane Batkin)
Monster House (Gil Kenan, 2006).
The Fantasy/Animation podcast takes listeners on a journey through the intersection between fantasy cinema and the medium of animation. Available via Apple Podcasts, Spotify and many of your favourite podcast hosting platforms!
Chris and Alex delve into motion-capture, murder mystery, and monster houses for this discussion of Gil Kenan’s 2006 computer-animated film Monster House, a digital feature produced by the ImageMovers company founded by renowned filmmaker Robert Zemeckis and a specialist in animation utilising mo-cap technologies. Joining them for Episode 121 of the podcast is Dr Jane Batkin, an animation film theorist and Associate Professor in the School of Film, Media and Journalism at the University of Lincoln. Her book Identity in Animation: A Journey into Self, Difference, Culture and the Body was published in 2017, and she has had various chapters in edited collections on animation, including a recent piece on childhood wandering in Coraline: A Closer Look at Studio Laika’s Stop Motion Witchcraft (2021). Jane is currently working on a monograph on childhood in animated film and television and gained a British Academy Award for research in August 2022 for her project entitled “The Secret Space of Childhood in Animated and Live Action Cinema: Performance, Preservation and Metaphor.” Topics in this instalment include the production context for Monster House and the question of child labour; the uncanniness of children-in-performance and what it means for a child to be viewed as ‘acting’ vs. ‘being’; the digital rendering of surfaces and textures and the film’s ‘puppetlike’ character designs; computer animation and nostalgia, and whether it is possible to be nostalgic for CGI; the ‘body’ of animated homes and psycho-architectural spaces via the film’s proximity to the horror genre; and how Monster House’s negotiation of adulthood positions Kenan’s computer-animated feature as a ‘Sirkian’ melodrama for children.
**Fantasy/Animation theme tune composed by Francisca Araujo**
Suggested Readings
Darlington, Joe. 2018. “Techno-wizardry and movie magic: The trace of labour (or lack thereof) in 3D digital animation,” Information, Communication & Society 21, no. 9: 1246–1262.
Lury, Karen. 2010. The Child in Film: Tears, Fears, and Fairy Tales. New Brunswick: Rutgers University Press.
Mihailova, Mihaela. 2016. "Collaboration without Representation: Labor Issues in Motion and Performance Capture,” animation: an interdisciplinary journal 11, no. 1 (March): 40-58.
Shepard, Iris. 2010. “Representations of Children in the Pixar Films: 1995-2009.” Red Feather Journal 1, no. 1: 2-13.
Troutman, Megan. 2019. “It’s Alive … AGAIN: Redefining Children’s Film Through Animated Horror.” In The Palgrave Handbook of Children’s Film and Television, edited by Casie Hermansson and Janet Zepernick, 149-165. Cham, Switzerland: Palgrave Macmillan.
Wojcik-Andrews, Ian. 2000. Children’s Films: History, Ideology, Pedagogy, Theory. New York: Garland Publishing.