Posts in PODCAST
Episode 10 - Moana (Ron Clements and John Musker, 2016) (with Catherine Wheatley)

For the 10th episode, Chris and Alex travel to Polynesia to tackle their first computer-animated film - Walt Disney’s all-singin’, all-dancin’ and all-digital musical Moana (Ron Clements and John Musker, 2016). They are joined by Dr Catherine Wheatley (Senior Lecturer in Film Studies at King’s College London) to discuss the film’s gender politics and feminist register; its beautiful Samoan and Tokelauan-language soundtrack (with songs written and composed by Opetaia Foa’i, Lin-Manuel Miranda and Mark Mancina); its ambivalent status as typical Disney fare; and the ‘tiny details’ that comprise its message of diplomacy and female empowerment.

Read More
Episode 9 - Mary Poppins (Robert Stevenson, 1964)

The ninth episode takes Chris and Alex up to the rooftops of London as they tackle Walt Disney’s fantasy musical Mary Poppins (Robert Stevenson, 1964). This song-and-dance celebration follows the adventures of Mary, Bert and the Banks children, including their famous journey into the wonderful world of animation. Supercalifragilisticexpialidocious!

Read More
Episode 8 - Black Panther (Ryan Coogler, 2018)

Episode eight sees Chris and Alex discuss the eighteenth film in the Marvel Cinematic Universe, Black Panther (Ryan Coogler, 2018). As the first Marvel film to feature a predominantly black cast, Black Panther offers the opportunity to situate fantasy and animation both within the codes of the popular superhero genre, and alongside broader critical questions of black subjectivity in contemporary cinema.

Read More
Episode 7 - The Triplets of Belleville (Sylvain Chomet, 2003)

In episode seven, Chris and Alex encounter ferocious bicycle wheels, music hall stars fishing for frogs using dynamite, and the French mafia in their discussion of the frankly bizarre animated fantasy The Triplets of Belleville (Sylvain Chomet, 2003). With minimal dialogue and an expressionist, borderline surreal visual style, Chomet’s film - released in the UK as Belleville Rendezvous - is erratic, eccentric and downright charming.

Read More
Episode 6 - The Greatest Showman (Michael Gracey, 2017) (with Martha Shearer)

For episode six, Chris and Alex are joined by Dr Martha Shearer (King’s College London), expert on the Hollywood musical and author of the recent monograph New York City and the Hollywood Musical: Dancing in the Streets (Palgrave Macmillan, 2016). Together, they discuss The Greatest Showman (Michael Gracey, 2017) in relation to its status as a biopic, as a fantasy of New York, and its marked use of computer graphics that bring this all-singing, all-dancing American musical to life.

Read More
Episode 5 - Yellow Submarine (George Dunning, 1968)

Episode five takes Chris and Alex on a magical mystery tour through psychedelic British animation of the 1960s thanks to Yellow Submarine (George Dunning, 1968). This animated fantasy musical mixes playful caricatures of John, Paul, George, and Ringo with a colourful, abstract and, at times, surreal visual style from art director Heinz Edelmann. Drawing from both classical, folk and pop music, sixties rebellious youth culture, and The Beatles’ own rock and roll repertoire, Yellow Submarine presented the possibilities for animation as a significant and serious art form.

Read More
Episode 4 - My Neighbor Totoro (Hayao Miyazaki, 1988)

In episode four, Chris and Alex discuss the work of Studio Ghibli and their feature-film My Neighbor Totoro (Hayao Miyazaki, 1988). Released as part of a double-bill with Grave of the Fireflies (Isao Takahata, 1988), My Neighbor Totoro is a colourful animated fantasy that takes place in rural Japan inhabited by mysterious dustbunnies and the eponymous Totoro creature (who has since become Ghibli’s own official mascot).

Read More
Episode 3 - Jason and the Argonauts (Don Chaffey, 1963)

The third episode sees Chris and Alex reflecting on Jason and the Argonauts (Don Chaffey, 1963), which showcases the pioneering work of stop-motion animator Ray Harryhausen. Based on classical Greek mythology, the film's famed 'skeleton warrior' battle sequence designed by Harryhausen fully encapsulates the possibilities of animated special effects for fantasy cinema.

Read More