Posts tagged COMPUTER-ANIMATED FILMS
Episode 138 - Toy Story (John Lasseter, 1995) (with Lucy Fife Donaldson)

The Fantasy/Animation podcast finally tackles the seminal Toy Story (John Lasseter, 1995), with Episode 138 looking at Pixar’s computer-animated feature and the film that transformed animation in Hollywood - and beyond - into a digital medium. Joining Chris and Alex to examine Toy Story’s computerised production and the pleasures of its pristine visual illusionism is Dr Lucy Fife Donaldson, Senior Lecturer in Film Studies at the University of St Andrews, whose work focuses on film and television style, audiovisual design and 'below-the-line' labour, performance and the body, and videographic criticism.

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Episode 134 - Wish (Chris Buck & Fawn Veerasunthorn, 2023) (with Robyn Muir)

To celebrate Disney’s computer-animated film musical Wish (Chris Buck & Fawn Veerasunthorn, 2023) and the company’s recent centenary year, Chris and Alex are joined by Dr Robyn Muir, Lecturer in Media and Communication in the Department of Sociology at the University of Surrey.

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Episode 130 - Arthur Christmas (Sarah Smith, 2011)

The Christmas special of the Fantasy/Animation podcast is finally delivered, and a perfectly wrapped episode it is too (!), with Chris and Alex enjoying the magic and mayhem of Arthur Christmas (Sarah Smith, 2011) - the Aardman studio’s second foray into computer animation and a film that confronts head-on Christmas as a collective fantasy through the comedic conflicts between generations.

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Episode 121 - Monster House (Gil Kenan, 2006) (with Jane Batkin)

Chris and Alex delve into motion-capture, murder mystery, and monster houses for this discussion of Gil Kenan’s 2006 computer-animated film Monster House, a digital feature produced by the ImageMovers company founded by renowned filmmaker Robert Zemeckis and a specialist in animation utilising mo-cap technologies. Joining them for Episode 121 of the podcast is Dr Jane Batkin, an animation film theorist and Associate Professor in the School of Film, Media and Journalism at the University of Lincoln.

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Episode 114 - The Mitchells vs. the Machines (Mike Rianda, 2021)

The Netflix feature The Mitchells vs. the Machines (Mike Rianda, 2021) gets the Fantasy/Animation treatment, as Chris and Alex offer up a discussion in this episode of the film’s dysfunctional family dynamics, road movie structure, and its spectacular sentient robots techno-narrative.

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Episode 95 - Contemporary Ukrainian Animation (with Joshua First)

Episode 95 is a special Fantasy/Animation double header, with two recent computer-animated films up for discussion as Chris and Alex look into the stories and symbols of contemporary Ukrainian animation - the country’s first 3D CG film The Dragon Spell (Manuk Depoyan, 2016) based on the stories of Ukrainian writer Anton Siyanika, and The Stolen Princess (Oleg Malamuzh, 2018), a fantasy that adapts the fairytale Ruslan and Ludmila by Russian poet Aleksandr Pushkin. This week’s instalment features as its guest an expert in the politics and aesthetics of modern Russia and the Soviet Union, Dr Joshua First, who is Croft Associate Professor of History and International Studies at the University of Mississippi.

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Episode 94 - Encanto (Byron Howard & Jared Bush, 2021) (with Dolores Tierney)

Chris and Alex finally talk about Bruno (among other things) in this latest episode of the podcast, turning to the fantasy and family of Encanto (Byron Howard & Jared Bush, 2021), Disney Feature Animation’s computer-animated musical that tells the story of the magical Madrigal family via protagonist Mirabel, ably supported by lush visuals, colourful abstractions, and Lin-Manuel Miranda’s score inspired by the vallenato, cumbia, bambuco and rock en español genres. Joining them for Episode 94 is Dolores Tierney, Professor of Film at the University of Sussex and an expert in the aesthetics and politics of transnational imaging practices between Latin America, the U.S. and Spain.

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Episode 91 - Rio (Carlos Saldanha, 2011) (with Michael Tanzillo)

In this latest episode, Chris and Alex examine one of the most important animation companies of the last 20 years in Hollywood – Blue Sky Studios – who made significant contributions to the shape and direction of U.S. animation, and particularly the computer-animated film. Formed in February 1987 by animator Chris Wedge, the studio recently hit the headlines as they are now sadly in the past tense – The Walt Disney Company acquired Blue Sky as part of their 2019 purchase of 21st Century Fox and then, in February 2021, announced that Blue Sky would be shut down as an animation division. This episode looks back at Blue Sky’s 2011 computer-animated musical Rio (Carlos Saldanha, 2011) with special guest Michael Tanzillo, who worked as a Senior Lighting Technical Director at Blue Sky on a number of computer-animated films.

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Episode 67 - Flushed Away (David Bowers & Sam Fell, 2006)

Chris and Alex return to the feature films of the Bristol-based Aardman Animations studio for Episode 67, travelling from the world of Kensington propriety ‘up top’ to the underground chaos of Ratropolis ‘down below’ for Flushed Away (David Bowers & Sam Fell, 2006), which tells the story of the trials and tribulations of high society rat Roddy St. James who is inadvertently flushed down into the sewers of London. Mirroring this narrative collision of worlds, Flushed Away also bears the industrial weight of such duality, being part of a 12-year, four-film $250million agreement between Aardman and Hollywood studio DreamWorks Animation to produce a series of animated features.

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Episode 57 - Rango (Gore Verbinski, 2011) (with Neil Brand)

Performer, composer, silent film accompanist and television presenter Neil Brand is the special guest joining Chris and Alex for Episode 57 of the podcast, which celebrates the musical beats and Mariachi owls of Rango (Gore Verbinski, 2011). Listen as they discuss how this curious 2011 computer-animated film revels in the power of telling tales alongside its broader relationship to folk ballads; Rango’s cinephilic evocation of canonical Hollywood Westerns and U.S. cinema history; themes of ambition, isolation, and aimlessness, and how this ties into a film whose existentialist narrative is predicated on the question of inevitability.

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Episode 27 - Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey and Rodney Rothman, 2018) (with Simran Hans)

Episode 27 has Chris and Alex swinging their way into a superhero-filled multiverse to discuss the narrative strategies and visual dynamism of Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey and Rodney Rothman, 2018), the highly-successful computer-animated feature film from Sony Pictures Animation. Caught in the fantasy/animation web for this latest instalment is Simran Hans, film critic and culture writer whose work has appeared in The Observer, The Guardian, Buzzfeed, Dazed, The Fader and Sight & Sound.

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Episode 16 - Coco (Lee Unkrich, 2017) (with Eavesdropping at the Movies)

Episode 16 heralds the first Fantasy/Animation crossover instalment, with Chris and Alex joined by Michael Glass and José Arroyo, also known as the Eavesdropping at the Movies team. The focus of their discussions is Pixar’s feature film Coco (Lee Unkrich, 2017), a computer-animated fantasy inspired by the Mexican ‘Día de los Muertos’ (Day of the Dead) holiday. Seizing their moment, the foursome touch on issues of cultural specificity, authenticity and appropriation; its expressive use of luminescent lighting to illuminate its styles and details; and the themes of grief, ancestry, history and heritage that support the structures of a film whose two interconnected worlds of life and death are powered by the vitality of memory.

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Episode 10 - Moana (Ron Clements and John Musker, 2016) (with Catherine Wheatley)

For the 10th episode, Chris and Alex travel to Polynesia to tackle their first computer-animated film - Walt Disney’s all-singin’, all-dancin’ and all-digital musical Moana (Ron Clements and John Musker, 2016). They are joined by Dr Catherine Wheatley (Senior Lecturer in Film Studies at King’s College London) to discuss the film’s gender politics and feminist register; its beautiful Samoan and Tokelauan-language soundtrack (with songs written and composed by Opetaia Foa’i, Lin-Manuel Miranda and Mark Mancina); its ambivalent status as typical Disney fare; and the ‘tiny details’ that comprise its message of diplomacy and female empowerment.

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