Posts tagged ADAPTATION
Episode 19 - The Hunchback of Notre Dame (Gary Trousdale and Kirk Wise, 1996)

For episode 19, Chris and Alex revisit the Walt Disney Studio and its adaptation of Victor Hugo’s nineteenth-century Gothic novel for its cel-animated musical The Hunchback of Notre Dame (Gary Trousdale and Kirk Wise,1996). A melodrama set against the backdrop of medieval Paris, the film reworks its classic source material and gives it the Mouse House treatment, bringing Hugo’s mature literary Gothicism together with Disney’s ‘cartoon’ principles. Discussion ranges from the film’s evocation of the ‘topsy turvy’ carnivalesque to specific elements of its character design, as Chris and Alex consider how Hunchback’s broader thematic concerns of suppressed sexuality and obsession, damnation, and grotesque horror reconfigure Disney’s (fairy) tales ‘as old as time’ formula.

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Episode 13 - Animal Farm (John Halas and Joy Batchelor, 1954)

Far from being unlucky, episode 13 offers listeners a bumper line-up as Chris and Alex are joined by special guest Jez Stewart - curator at the BFI National Archive and expert on British animation history - to talk about Animal Farm (John Halas and Joy Batchelor, 1954). Taking on this celebrated animated adaptation of George Orwell’s popular novel, they discuss the production history of Britain’s first animated feature film and the vital role of archival material, alongside broader questions of cartoonal allegory via the narrative’s heavy politicised visions of anthropomorphic left-wing uprising.

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Episode 11 - Disenchantment (Matt Groening, 2018-)

Episode 11 marks Chris and Alex’s first venture to the small screen, offering a rundown of Matt Groening’s recent television series Disenchantment, which first premiered in August 2018 on Netflix. A fantasy sitcom visualised through Groening’s signature animated style (including the requisite character overbite), Disenchantment parodies the archetypes familiar from fantasy mythology. From hard-drinking princesses to sweet-toothed elves, its playful swipes at fantasy storytelling feed into an overriding irreverence that fully exploits animation’s subversive potential, as Groening’s series sets about both constructing and deconstructing the terms of its own animated world.

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