Posts tagged DIGITAL
Review: Captain Marvel (Anna Boden and Ryan Flack, 2019)

Running parallel to the ongoing battles about women superheroes is another that flashes across the surface and into the depths of Captain Marvel: a fight about the status of animation within the blockbuster. Christopher Holliday (2018), Stephen Prince (2012) and Paul Wells (2008) are among those to have discussed the integration of CG animation technologies into the fabric of Hollywood filmmaking, in guises as diverse as character animation and digital grading. CG animation now skitters across the surfaces of big blockbusters – perhaps especially the fantastic worlds of superheroes - producing characters like Rocket Racoon and Iron Man, creating the worlds they inhabit and the powers they use.

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Documenting Fantasy: The case of the animated mockumentary The Last Dragon (2004)

If animation and documentary make an anomalous couple, fantasy, animation and documentary make an extremely far-fetched threesome. Yet, in Justin Hardy’s mockumentary The Last Dragon (2004) they conjoin. This TV movie purports to be a partially animated documentary that attests to the existence of one of fantasy’s iconic symbols: the dragon. More precisely, the film takes the form of “an evolutionary natural history “what if?”” (Foley in Murray 2005: 67) documentary that, similarly to Peter Jackson and Costa Botes’ staple live-action mockumentary, Forgotten Silver (1995), is composed of two interwoven stories.

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The Sounds of Silence (or, What Noises Do Animated Fantasies Make?)

The critical noise surrounding the recent release of horror film A Quiet Place (John Krasinski, 2018) has largely served to amplify its considered (and sparse) application of sound. The film’s narrative certainly explores the implications of selective sound and image arrangement, with the complex interplay between each sonic component used in service of crafting the danger of (largely offscreen) fantasies.

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